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A little piglet named Foontic ran away from his owner, Mrs. Belladonna, because he didn't want to deceive children. Mrs. Belladonna is determined to find him.

About how the evil and greedy owner of the department store "Tears of a Child" Mrs. Belladonna tried to steal away escaped Foontic from the clown Fokus-Mokus.

Dressed in a men's costume, Belladonna tries to kidnap Foontic. She is assisted by the dim-witted police chief Foxtrot and the fussy detectives Dober and Pincher.

A young investigator, Andrews, arrives in a small town from Vilnius to investigate a trivial case of the theft of 8 tons of meat from a local factory. Due to the lack of places in the hotel, Andrews stayed at the house of Ewaldas Shvegreda. Andrews feels that there is some kind of connection between Shvegzhda and the accountant of the meat processing plant, Stankevicius...

The show that made Siskel and Ebert famous. These two Chicago-based movie critics sit around and review movies, giving either "Thumbs up" or "Thumbs down." Noted for the good-natured insults traded by the two reviewers (usually concerning Ebert's weight and Siskel's receding hairline).

This feature documentary is an inquiry into Canada's economic troubles of the 1970 and '80s. The film summarizes the facts at hand, including some pre-NAFTA speculation about economic dependency on the United States. At roughly thirty percent, the Canada of a few decades ago was more foreign-owned than any other country in the world. Still, however, a great and stubborn national pride in our cultural and social idiosyncrasies persists, resulting in the confidence to look elsewhere besides the United States for economic alliances and models. This episode is the fifth and last part of the series Reckoning: The Political Economy of Canada.

A documentary about the village Kienitz at the river Oder, about the people, their life, their history.

In one long take lasting nearly an hour and a half, three well-known Latvian actors re-stage scenes from renowned Soviet Latvian movies made under the Riga Film Studio. As they progress from film to film, their re-enactments lead them to discover the undeniably funny personalities and unbelievable circumstances under which these films were made. Blending documentary, theatre and fiction film, this is a comedy about the cinema and the actor, and a heartfelt homage to the Riga Film Studio.

A gaunt, middle-aged man barely recovered from a serious illness, an awkward company employee, the hosts’ likable son, who comes home late — each of the men on the terrace are captivated by Haruko’s pale, white arms, inflaming the jealousy of the company director’s wife. Literary anecdotes abound, as does petty bickering. The masks they’ve carefully crafted are suddenly torn away, exposing their tainted humanity. Desires, jealousies and secrets are laid bare during 90 minutes on the terrace, culminating in a shocking and not exactly happy ending.